Costa Magarakis, a Tel Aviv-based artist also known as The Duck Pirate, specializes in sculpture that uses shoes as the base objects for some of his work. Footwear in his hands can become an animals body, a sailing vessel, or an imagined creature. As a child he spent time looking through his grandfather’s antique encyclopedia and old books. His results often feel stolen from drawings in children’s books from days gone by, often imitating Jules Verne or in modern day, Tim Burton.
Costa produces each sculpture thru a long process in which each shoe must be made suitable for reforming. Once he softens the old shoe, he adds fiberglass resin and a wide variety of materials that might include, glass, wood, metals and paint. Finished sculptures can sell for up to $1200.00.
Alexander Jansson was born in Uppsala, Sweden. His first drawing was a ghost when he was only two years old. By the time he discovered Star Wars, his world view changed forever. Because of a loss at a young age, abandonment has always been a part of his work.
Alexander runs his own design studio, called Sleeping House. While he specializes in cover art and illustration, he also created his own style called “Greenpunk”. His mixed media technique is a collage of elements from his photos, models, drawings, and paintings that he blends into the same picture. In order to give these digital pictures a natural touch, he spends much of his time adding scratches, dust and brush strokes.
Mr. Jansson influences include a dark and mysterious touch like that of Tim Burton. The artist creates a mystical world full of miniature houses and characters that are into music.
This artist has done work for Disney, Radio Sweden, and the NYC Ballet among others. Alexander Jansson is well worth following, if only for the inspiration from his work .
Crayola brand crayons were the first kids crayons ever made, invented by cousins, Edwin Binney and C. Harold Smith. They had already invented a new wax crayon used to mark crates, but it contained carbon and was too toxic for children. This started research into nontoxic drawing tools for kids. They were confident that the safe pigment and wax mixing techniques they had developed could be used for a variety of colors.
The brand’s first box of eight Crayola crayons made its debut in 1903. The crayons were sold for a nickel and the colors were black, brown, blue, red, purple, orange, yellow, and green.
Some of these photographs were taken by Bryan Derballa, and show the inside of the Crayola factory which produces around 12 million crayons every day.
Today, there over one hundred different types of crayons being made by Crayola including crayons that: sparkle with glitter, glow in the dark, smell like flowers, change colors, and wash off walls and other surfaces and materials.
The modern crayon, originating in Europe, was a man-made cylinder that resembled contemporary sticks. The word Crayola was created by taking the French words for chalk and oily and combined them. Later, powdered pigments of different colors replaced the charcoal. Later substituting wax for the oil made the sticks sturdier and easier to handle.
Usually when someone works in porcelain, they are trying to follow traditional methods. Artist Maria Rubinke adds a twisted turn to her work pushing what is acceptable in the world of art.
Currently based out of Copenhagen, Denmark, Maria Rubinke blends innocence with grotesque in her work, creating porcelain sculptures with shocking streams of red glaze originating from rips and tears in their bodies. She uses a mixture of cute and surreal to pull people between these extreme opposites.
Most vintage or Victorian porcelain dolls are delicate and beautiful. She doesn’t do that. The children have innocent faces, but are completely twisted. The portrayals in Maria’s sculptures bring to mind the work of Edward Gorey, the American artist and writer known for illustrated books depicting unsettling scenes in Edwardian settings.
She doesn’t yet have her own website, (although it is in progress), but you can check out more of her work on her Facebook page.
Originally held in 1986 at San Francisco’s Baker Beach, the week-long Burning Man Festival now takes place in Nevada’s Black Rock Desert. The festival is a week-long event that starts on the last Monday in August, and ends on the first Monday in September. Up to 68,000 people from around the world gather at the festival and spend a week in the remote desert isolated from the outside world.
The festival gets its name from the ritual burning of a large wooden effigy, which is set ablaze on Saturday evening. The event is considered an experiment in self-expression, art, and self-reliance. It’s become a gathering for hippies, artists, musicians and dancers who can for a week explore artistic expression. Money is never exchanged at the event, instead the participants gift each other to get what they need. The main attractions of Burning Man include massive art installations, all-night dance parties, marathon kite-flying sessions, unconventional fashion shows, and classes where festival goers can learn things like Hula Hooping.
They head off one week later, having left no mark whatsoever and wait for the next Burning Man.
Ventriloquism was originally a religious practice that got its start in ancient times, somewhere around the sixth century. The name “ventriloquist” means “belly speaker” in Latin. It supposedly was used to communicate with the dead. The noises made by the stomach were thought to be the voices of the dead, who took up residence in the stomach of the ventriloquist. For a long time, it was viewed negatively by the Christian church.
The change from being a sign of spiritual forces to being considered entertainment happened in the eighteenth century at travelling fairs. It came of age as entertainment with the help of vaudeville in the United States.
Ventriloquism is the illusion of creating life, but the fear of ventriloquist’s dummies is called automatonophobia.
If the items were really as its name, Tombées du Camion, (items fallen from the back of a truck) suggests, this little shop in Montmartre would never have lasted as long as it has. Tucked away in a forgotten passageway, between chic fashion and the questionable Pigalle area, is found one of the most interesting assortments of salvaged and found items in Paris.
A temporary resting place for unwanted and unclaimed curiosities, Tombées du Camion is like a museum of the odd, all squeezed into under 200 square feet. Everything in excess, from doll parts to police whistles and pill containers on display in wooden crates will hold you in it’s spell. There are French porno banners from the 1970s, rusted mortuary plaques (probably pried from old burial sites), and unused flasks of an opium cure for diarrhea. Most of these items are made in France, and every object has a story.
Much of the stock has been salvaged from attics and corners of old factories in random locations around France, often left after their usefulness seemed to have passed.